Uses of art in the urban space

The purpose of this paper is to argue that for many urban dwellers in developed societies proximity of the arts in the urban space is not tantamount to their availability.

The method applied is based upon the conception of capabilities and the concept of the Human Development Index; an analysis of the available cultural statistics, as well as a study of two revealing case studies, that of Bilbao, Spain and Santa Fe, New Mexico, USA, as distinct and alternative examples of the employment of arts as a stimulus for the urban growth and regeneration.

The findings suggest that the current urban policies are not conducive to an equal access to the arts of the urban dwellers.

The author provides an innovative explanation of this phenomenon from his own perspective of the political aesthetics, which includes, inter alia, the concepts of the public agoraphobia, commodification and interpassivity. Making use of the distinction between the intrinsic and instrumental values, the author argues in favour of the participative approach to the arts in the urban social life, and formulates a policy recommendation according to which small- and medium-sized cities are possibly better suited to satisfy the need for the enjoyment of the arts in a more egalitarian way.