Towards an inclusive curation of WWI heritage: integrating historical aerial photographs, digital museum applications and landscape markers in “Flanders Fields” (Belgium)
Journal of Cultural Heritage Management and Sustainable Development
ISSN: 2044-1266
Article publication date: 23 October 2020
Issue publication date: 20 October 2021
Abstract
Purpose
Over a century of state-sponsored construction of monuments, historic mythmaking and nationalist framings of WWI has ensured that it has become notoriously difficult to present the heritage of the Great War in an inclusive and non-selective way. In this paper the authors present a strategy and technology-driven solutions to overcome the selective heritage curation of modern conflict.
Design/methodology/approach
Building on a suite of tools, applications and cultural heritage management plans developed by the In Flanders Fields Museum (IFFM), this paper explores the challenges of preserving and curating conflict heritage. The authors investigate the philosophy, cultural heritage management strategies and exhibitions used to curate the heritage of the Ypres Salient (Belgium).
Findings
The paper argues that historical aerial photographs integrated in multimedia exhibits present themselves as a fascinating source bringing the landscape within the walls of the museum. Mobile augmented reality (AR) applications developed by the museum go one step beyond and bring museum techniques to the landscape.
Research limitations/implications
This paper presents a strategy to present, manage and curate the entirety of conflict heritage from the modern period. Faced with growing politicisation and memorialisation of modern conflict, it is extremely important that inclusive heritage management and curation is insured. The reflections on different curatorial techniques used by the IFFM can contribute globally towards a better heritage engagement.
Practical implications
An innovative and meaningful framework enables a more historically nuanced visitor experience to key heritage sites throughout the Ypres Salient.
Social implications
Ensuring a non-selective heritage experience is especially pressing today. Over the past century canonised and national narratives have prescribed our understanding of the First World War across Europe and beyond.
Originality/value
Adopting a critical stance towards the proliferation in AR apps and applying theories from anthropology and phenomenology has been developed combining AR with arboreal landscape relics.
Keywords
Acknowledgements
The authors wish to thank the editor for his guidance throughout the publication process. The authors also wish to acknowledge the three anonymous reviewers for their careful considerations and feedback. The staff of the Flanders Fields Museum is thanked for all the support and assistance in developing the applications and curatorial content. Horizon2020 and the Utrecht Centre for Humanities are also thanked for the financial support in developing these heritage engagement tools and providing us with the time and support to write up our research results.Funding: Flanders Fields Museum and Province of West-Flanders.
Citation
Stichelbaut, B., Plets, G. and Reeves, K. (2021), "Towards an inclusive curation of WWI heritage: integrating historical aerial photographs, digital museum applications and landscape markers in “Flanders Fields” (Belgium)", Journal of Cultural Heritage Management and Sustainable Development, Vol. 11 No. 4, pp. 344-360. https://doi.org/10.1108/JCHMSD-04-2020-0056
Publisher
:Emerald Publishing Limited
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