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The Church and the Streets: An Ethnographic Study of the Christian Hip Hop Music Scene in Central Texas

Symbolic Interactionist Takes on Music

ISBN: 978-1-78635-048-0, eISBN: 978-1-78635-047-3

Publication date: 1 October 2016

Abstract

This paper presents findings from an ethnographic study of Christian hip hop music performed and practiced in Central Texas. I examine the emerging Christian rap scene through the experiences of members of the local social group known as The 51210 Movement. The 51210 Movement includes various Christian rappers, singers, songwriters, musicians, producers, and sound technicians. Their activities center on the multiple uses of Christian rap within their local communities. The central Texas Christian rap scene is situated within the musically rich city of Austin, the “Live Music Capitol of the World,” and San Antonio, a culturally and religiously diverse city. I focus on how members of The 51210 Movement use Christian rap as a proselytizing and pedagogical tool, how Christian rappers work together to create a self-perpetuating Christian rap scene, and how members of The 51210 Movement negotiate the interplay between the sacred and secular forms of rap to maintain religious authenticity.

Keywords

Citation

Banbury, J. (2016), "The Church and the Streets: An Ethnographic Study of the Christian Hip Hop Music Scene in Central Texas", Symbolic Interactionist Takes on Music (Studies in Symbolic Interaction, Vol. 47), Emerald Group Publishing Limited, Leeds, pp. 151-168. https://doi.org/10.1108/S0163-239620160000047018

Publisher

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Emerald Group Publishing Limited

Copyright © 2016 Emerald Group Publishing Limited