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Artists’ production sensibilities within the dynamics of an emerging art market

Eda Aylin Genc (Department of Sociology, Manchester Metropolitan University, Manchester, UK)
Mehmet Okan (Faculty of Management, Artvin Coruh University, Artvin, Turkey)

Arts and the Market

ISSN: 2056-4945

Article publication date: 1 September 2022

Issue publication date: 9 September 2022

194

Abstract

Purpose

This study aims to understand the characteristics and formation of artists’ production sensibilities and relations with other actors within an emerging hybrid art market structure.

Design/methodology/approach

To unravel senses and map out relationships and structures in the context of this study, qualitative methods, including in-depth interviews and analysis of secondary data sources, were applied.

Findings

The authors describe three art production sensibilities and market-based relationship logics rooted in the artist and the artwork’s diverse role in the market.

Practical implications

The findings suggest that artistic sensibilities motivate managers working in the hybrid art market to develop a more nuanced positioning of artists and their creative outputs to improve harmony and collaboration.

Originality/value

This study demonstrates that the hybrid structure of art markets allows for the harmonious separation and collaboration of non-market (artistic) and market logics. This study uncovers how artists combine their non-market creative position with market needs in the process of marketization and hybridization.

Keywords

Citation

Genc, E.A. and Okan, M. (2022), "Artists’ production sensibilities within the dynamics of an emerging art market", Arts and the Market, Vol. 12 No. 2, pp. 150-163. https://doi.org/10.1108/AAM-04-2021-0010

Publisher

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Emerald Publishing Limited

Copyright © 2022, Emerald Publishing Limited

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