Table of contents
COLLECTIVE ADMINISTRATION OF LITERARY WORKS: PRINCIPLES AND PRACTICE: THE BRITISH EXPERIENCE
Charles Clark, Colin HadleyLet us start with one moment of recorded (even perhaps of illicitly reproduced) history:
STATISTICAL SURVEY METHODS: THE BRITISH EXPERIENCE
Ronald A. PluckThe impetus for the establishment of a scheme that would protect authors and publishers from unauthorised use of copyright material came in part from a ten year struggle…
THE COLLECTIVE ADMINISTRATION OF LITERARY AND DRAMATIC RIGHTS — AUTHORS' LICENSING AND COLLECTING SOCIETY (ALCS)
Janet HurrellWriters in Britain traditionally license a wide range of rights to publishers and broadcasters, often through agents. This tradition, known as the “Anglo‐American” as opposed to…
THE EFFECT OF COPYRIGHT ON LIBRARIES: ONE ASSESSMENT
Barry WoodwardI have worked in libraries for nearly three decades and have adopted as a maxim “the right books in the right hands at the right time”. For a variety of reasons it is not always…
COPYRIGHT LICENSING AND LIBRARIANS
Raymond A. WallLibrarians and other information service professionals are naturally concerned with the needs of their end‐user communities as well as their own service requirements. This…
COPYRIGHT LICENSING — THE INTERNATIONAL SCENE
Janet ShuterIFRRO is the central forum for information exchange and mutual action for organisations concerned with reproduction rights for copyright materials. More than 45 national and…
ISSN:
0143-5124Online date, start – end:
1979Copyright Holder:
Emerald Publishing LimitedOpen Access:
hybridMerged from:
Librarian Career DevelopmentEditor:
- Mr Steve O'Connor