Index

Gender and Contemporary Horror in Film

ISBN: 978-1-78769-898-7, eISBN: 978-1-78769-897-0

Publication date: 13 March 2019

This content is currently only available as a PDF

Citation

(2019), "Index", Holland, S., Shail, R. and Gerrard, S. (Ed.) Gender and Contemporary Horror in Film (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 251-261. https://doi.org/10.1108/978-1-78769-897-020191017

Publisher

:

Emerald Publishing Limited

Copyright © Editorial matter and selection the volume editors; individual chapters their respective authors, 2019


INDEX

Abjection
, 151–165

“Abortion Barbie”
, 87

Adrift (2009)
, 174

After School web forum
, 86

Afterlife (2010)
, 210, 214–215

Ahlbäck, Anders
, 24

Albrecht, Michael
, 24

Alien 3 (1992)
, 206

Alien franchise (1979–2017)
, 206

Alien: Resurrection (1997)
, 206

Aliens (1986)
, 206

All-hands-on-deck approach
, 111

American Girls: Social Media and Secret Lives of Teenagers (2017)
, 86

American Horror Story (2011–present)
, 8

Ammar
, 156

The Ancines Woods (1970)
, 44

Apocalypse
, 188, 210, 215

Atomic Blonde (2017)
, 219

Audition (1999)
, 8

The Avengers Assemble (2012)
, 208

Azazil
, 156

Baena-Cuder, Irene
, 39–50

Bait-and-switch technique
, 135, 140

Balingit, Moriah
, 86

Berns, Fernando Gabriel Pagnoni
, 23–34

Bersani, Leo
, 103

Bezm-i Ezel
, 156

Bizarre and uncanny incidents
, 136

Black Christmas (1974)
, 2, 108–109, 227

Black Magic
, 159

Black masculinity
, 237–250

Black XXXmas
, 105–106, 108–109

The Blair Witch Project (1999)
, 2

Blakk, Jett
, 105, 113

Bogliano, Adrián García
, 23, 28, 169

Bonesaw (2006)
, 105, 112–113

Botting, Fred
, 144

Boy Crush (boycrush.com)
, 107

Brazilian films
, 174

Brennan, Joseph
, 101–113

Brown, Jennifer
, 67

Bruno, John
, 105

Bubba Ho-Tep (2002)
, 23–34

Bull
, 30

Elvis
, 28–29, 31–32, 34–35

Griffin
, 31

horror elegies
, 26–33

Jack
, 31

Kemosabe
, 32–33

nursing homes
, 26, 30

Presley, Elvis
, 23

The Burial: A Fragment/Fragment of a Novel
, 118

BuzzFeed
, 87

Byronic vampire
, 118

Byzantium (2012)
, 117–122, 124–131

Clara
, 117–120, 122, 124, 126–130

critical intertextuality and
, 117–119

Eleanor
, 117–120, 122, 124–126, 128–129

employs names from foundational works
, 118

examine through lens of feminist postmodern theory
, 117–118

patriarchal dominance
, 119

relationship between mother and daughter vampires
, 117

trace-like intertextuality of
, 118

vampire fiction
, 117

The Cabin in the Woods (2012)
, 88–90, 93–94, 97, 118, 227

Curt
, 91

Dana
, 89–90, 94

Jules
, 91

Camp Bloodbath (1986)
, 227–231

Cannibalism
, 67–68, 71–79

humanity
, 67

woman
, 77

Cannes Film Festival
, 55

Cannes International Film Festival (2008)
, 15

Cannibalism
, 53, 55, 57–58, 63

Captivity
, 187–204

Carmilla
, 118

Carpenter, John
, 110

Carrie (1976)
, 176

Carson, Biz
, 86

Casino Royale (2006)
, 192

Catalysts
, 151

Ceberrut
, 156

Charlie’s Angels Natalie, Dylan and Alex (2000)
, 207

Chodorow, Nancy
, 17

Christian iconography
, 154

Chul-soo, Paul
, 73

Çığlık
, 153

Cinema
, 151

abortion
, 152

female labour
, 152

genres
, 151

homosexuality
, 152

melodramas
, 151

movements
, 151

prostitution
, 152

socio-realism
, 151

styles
, 151

Cinema du corps
, 54–56, 58, 60–62

Clover, Carol J.
, 2, 16, 57, 90, 92

Collections
, 172

Commentary
, 187–204

The Conjuring
, 1

Constable, Catherine
, 117–119

Cream for Me
, 105, 110

Creed, Barbara
, 57

Criminal
, 159

Crimson Peak (2015)
, 146

Crouching Tiger, Hidden Dragon (2000)
, 207

Crystal Lake
, 110–111

Cult cinema
, 170

Cutthroat Island (1995)
, 219

Dabbe
, 156

Daninsky, Waldemar
, 40

Dans ma peau (2002)
, 53–54, 58–60

Esther
, 59–60

mind/body divide
, 59

Vincent
, 59

Dark Spells (2006)
, 155

Darvell
, 118–119

Daughters of Darkness (1971)
, 127–128

Davidson, Judith
, 86

Dawn of the Dead (1978)
, 2

De Niro, Robert
, 188

The Dead Don’t Talk (1970)
, 154

Death and Diagonal Display: Cinema’s Planned Obsolescence in Screen-captured Image
, 91

Deccal
, 156

DeCoteau David
, 104

The Deer Hunter
, 188

Degli-Eposti, Christina
, 117

Demons (1985)
, 228

Denis, Claire
, 55–58

Denny, Mathew
, 117–131

Deviant masculinity
, 25–26

The Devil’s Rejects (2005)
, 191

Devil’s seed
, 159

Dia de los muertos mask
, 177

Die Hard (1988–2013)
, 205

Dissecting Depictions
, 237–250

Doane’s terminology
, 140

Doppelgänger
, 144

Doreste, Peter Noel
, 91

Dracula in Istanbul (1953)
, 153–154

Dragonwyck (1946)
, 136–137

Dressed to Kill (1980)
, 87

Ducournau, Julia
, 53, 55, 77

Dyer, Richard
, 102–103, 106

Dysfunctional masculinity
, 24

El Bosque del Lobo (1970)
, 44

Elegiac masculinities
, 34

Elegy
, 27, 33–34

Elliott, Robert
, 87

Emergence of a bourgeois class
, 151

Entertainment Weekly
, 195

Escoffier, Jeffrey
, 102, 105

Etheredge-Ouzts, Paul
, 104

Euro-American horror films
, 154

The Evil Dead (1981)
, 219

The Exorcist (1973)
, 19, 154

Extinction (2007)
, 210, 214

Facebook
, 85–86, 88, 94–95

False consciousness
, 141

Female cannibal
, 53–55, 67–69, 71, 73, 75, 79

incest
, 71–73

patriarchal family
, 72

rape/abuse by family member
, 71–72

sexual objects to sexual subjects
, 73

Female Gothic
, 133–149

Female protagonists
, 133

Female vampire
, 117

Feminism
, 67–71, 79

Feminist Rhetoric in Digital Sphere
, 87

Filth
, 159

The Final Chapter (2016)
, 210, 214–215

The Final Girls (2015)
, 110–111, 193–200, 219–235

film theory
, 227

intertextuality
, 227

metalanguage
, 227

Firmly set
, 134

First Blood (1982)
, 205

The Force Awakens
, 219

Foronda, Diego
, 23–34

Four notorious homophobes
, 112

Franco’s Fascist dictatorship
, 39

The Frankenstein Book Series
, 153

Freudian feminist melodrama
, 135

Friday the 13th (2009, original 1980)
, 105, 220

Fuder, Frank
, 105

The Facility
, 89, 94

Gaslight (1944)
, 135–136, 142, 144

Gay porn parodies
, 101–104

amateurish production style
, 105

close readings
, 104–105

dangers of
, 112–113

erotic adaptation
, 104

extremely common device
, 102

full-fledged adaptation
, 102, 106

gay culture
, 102

homophobic viewers
, 102

meta-activity of
, 104

narrative vs sex
, 105–106

pay-per-scene revenue streams
, 106

poor acting-accruement
, 105

pornification of gay culture
, 102–103

potential of
, 113

riff-to-spoof categories
, 105

self-reflexivity of
, 101–102, 104

transformation of structure of
, 106

treasure trove of titles
, 103

Gay sex
, 113

GAYVN Video Awards (2004)
, 101

Gender Ideologies
, 169–185

Gendered Violence Outside and Inside
, 187–204

Genre and Gender Conventions
, 219–235

Genz, Stephanie
, 70

Gerontologists
, 25

Gerrard, Steve
, 1

Get Out (2017)
, 237–250

black boyhood
, 243–244

breaking barriers for black men in horror
, 244–245

horror and the gaze
, 238–239

horrors of racism
, 239–240

humanity of black men in horror
, 241–243

introduction
, 237–238

racism of horror
, 240–241

respectability politics
, 245–247

theoretical framework
, 238–241

vulnerability
, 243–244

Ghost story
, 135

Ghostbusters (1984)
, 219

Gill, Rosalind
, 69, 73

A Girl Walks Home Alone at Night (2014)
, 187

The Girl with the Dragon Tattoo (2009)
, 207

Goddard, Drew
, 89

Golden age
, 7

Good Neighbor policy
, 171

Gothic feminism
, 135

Gothic novel
, 135

ambiguity
, 139

central feature
, 139

Gothics
, 135

Grabby Awards (2004)
, 101

Grave (2016)
, 53–55, 60–64

Alex
, 54, 61–64

Creed’s discussion on
, 63

Justine
, 53, 61–64

unruly bodies
, 60–64

Grogan, Christine
, 72

The Guardian
, 191

Guess Who’s Coming to Dinner (1967)
, 238

Guest, Kristen
, 68

Gül (Canan Perver)
, 154

Habit
, 195

Hadley, Steve
, 89

Halloween (2007, original 1978)
, 90, 110–111, 220, 227

Halloweiner: Friday Fuckteenth
, 105, 110–111

Hamad, Hannah
, 33

Hard Core
, 103

Hardwicke, Catherine
, 104

Hart, Lynda
, 73

Haunted Media: Electronic Presence from Telegraphy to Television
, 93

Haunted (2007)
, 151–165

Hawkes, Rebecca
, 19

Hegemonic masculinity
, 23–26

Hell’s Creatures
, 40–41

Hellbent (2004)
, 104

Hereditary (2018)
, 7

Herring, Scott
, 103

Heteronormative relationships
, 74

Heteroporn culture
, 102

Hitchcock, Alfred
, 87

Hoca, character of
, 154, 160

The Hole (2002)
, 101–102, 111

Holland, Samantha
, 1–4

Hollows, Joanne
, 69

Hopkins, Stephen
, 108

Horner, Avril
, 72

Horror
, 88, 94, 97

Alex
, 94

bodies
, 7–84

boundaries
, 85–168

cannibal
, 67

captivity
, 169–250

Cat
, 95–96

Harry
, 94

polyemic
, 103

queerness in
, 101, 103–104

social media
, 85

specificity of
, 101

Subkoff
, 94, 96

torture the woman
, 87

Hostel (2005, 2007, 2011)
, 8, 103, 176, 191

Hounds of Love (2016)
, 192

The Human Centipede (2009)
, 8

The Hunger Games (2012)
, 219

The Hunger Games series
, 207

Hunks on Haunted Hill (2000)
, 110

I Spit on Your Grave (1978; 2010)
, 176

Ichi the Killer (2009)
, 8

Ideological function
, 140

Imagines things
, 136

Incestuous abuse
, 71–73, 76, 79

Industrialization
, 151

Inside (2007)
, 10–15, 19–20

Bustillo and Mary
, 10–15

Creed
, 15

Jean-Pierre
, 10, 12, 14

La Femme
, 11, 13–14

Matthieu
, 10

Sarah
, 10–14

Instagram
, 85, 87–89, 94

Institutions
, 173

Intertextuality
, 117–120, 123–124, 126–127, 130–131

Invasion USA (1985)
, 205

Islamic cosmology
, 155

Islamic imagery
, 154

It (2017)
, 7

James Hong
, 86

Jancovich, Mark
, 135

Javier Pulido, Javier
, 40

Jaws (1975)
, 87

Jigsaw (2017)
, 191

Jim Young’s Hot or Not
, 86

Jinn
, 155–156

Joffe, Roland
, 188

Juventudes
, 40

Kawin, Bruce F.
, 135

Kay, Andy
, 105

Kazıklı Voyvoda (The Voivode with the Stakes, 1928)
, 153

Kennedy, David
, 27, 34

Kenny, Bryan
, 105

Kick-Ass (2010)
, 207

The Killing Fields (1984)
, 188

King, Claire Sisco
, 104

Krueger, Freddy
, 107–108

L’arrivée d’un train à la Ciotat (1895)
, 228

La Noche de Walpurgis/Werewolf Versus Vampire Woman (1970)
, 44

Lane, Liz
, 87

Lara Croft Tomb Raider-The Cradle of Life (2003)
, 207

Lara Croft: Tomb Raider (2001)
, 207

LaRue, Chi Chi
, 105

The Last House on the Left (1972; 2009)
, 176

Late Phases (2014)
, 23–34

Ambrose
, 23, 26, 28–29, 31–32, 34–35

Father Roger
, 34

horror elegies
, 26–33

Victoria
, 30

Will
, 28

Latin American ‘Abduction’ Horror
, 169–185

gender ideologies
, 175–176

gender roles in US Horror
, 165–171

hybridity
, 171–174

Luna de Miel
, 178–180

reconfigured feminist reading
, 174–175

Scherzo Diabolico
, 176–178

serious cinema
, 169

Sudor Frío
, 180–182

supernatural
, 169

Law Abiding Citizen (2009)
, 192

Lázaro-Reboll
, 40

Le Manoir du Diable (1896)
, 7

Leo Gabriadze, Leo
, 91

Les Yeux Sans Visage
, 16–17

Linda, Hutcheon
, 120, 122, 124–125, 127, 129–130

Lobos de Arga
, 43–49

Calisto
, 45

Daninsky, Waldemar
, 46, 48

Evaristo
, 47–48

fight between werewolves and urban men
, 49

la Santa Compaña (ghosts)
, 43

lobishome (werewolves)
, 43

lycanthropy
, 43

Mario
, 45, 49

Meigas (witches)
, 43

Ourense, Galicia
, 43

Robal, Bernárdez
, 46

Secun de la Rosa
, 46

soft male characters
, 46

Spain’s past
, 47

Tomás
, 44–49

Lobos de Arga, aka Game of Werewolves (2011)
, 43

López, Diego
, 40

Luna de Miel (2015)
, 169, 176, 178–180

Lycanthropes or lobishome
, 41, 43, 44, 48, 49

Machismo
, 169

‘The Male Gaze’
, 208

Male Gothic
, 135

Mardorossian, Carine
, 33

Marginalia
, 95

Marid
, 156

The Mark of the Wolfman
, 50

Martyrs (2009)
, 15–20

Anna
, 15–20

Laugier
, 16

Lucie
, 15–20

Mademoiselle
, 16–17

Masculinity
, 151–165

Masculinity
, 39

Matellano, Víctor
, 40

The Matrix (1999)
, 207

Meditation
, 27

Men, Women, and Chain Saws (2015)
, 90, 219

Mestizaje
, 172, 174

Metalinguistic Play
, 219–235

Meyer, Michael
, 90

Mihrez
, 156

Miller, Kate
, 87

Mise-en-scène
, 102

Misery (1990)
, 176

Misogyny
, 187–204

The Mission (1986)
, 188

Missy
, 69

Mixed Martial Arts (MMA)
, 241

MMA. See Mixed Martial Arts

Moers, Ellen
, 134

The Moment of Psycho
, 87

Monster
, 159

Monstrous body
, 151

Monstrous-feminine
, 151–165

The Monstrous-Feminine
, 93

The Monstrous-Feminine: Film, Feminism, Psychoanalysis (1993)
, 13

Morrison, Todd, G.
, 106

Mother! (2017)
, 192

Mulvey, Laura
, 2

Munford, Rebecca
, 70

My Name Is Alice
, 205–217

character arc
, 211–217

character physical presence
, 211–217

mise-en-scene
, 211

The Mysteries of Uldopho (1794)
, 142

A Nightmare on Elm Street 5: The Dream Child
, 108

A Nightmare on Elm Street (1984)
, 8, 227

A Nightmare on Twink Street
, 105–107

National masculinity
, 33–35

National-Catholic regime
, 39

Negra, Diana
, 24, 68–69

Neighbouring Sounds
, 174

Neo-Gothic
, 137

Neo-slasher period
, 220

New French Extremity
, 8–10

New Nightmare (1994)
, 220

New Technologies
, 169–185

New York Magazine
, 189

Nills, Afton
, 104

Normal masculinity
, 25

Norris, Chuck
, 205

Objectification
, 67, 71, 73–75, 77–79

Ocean’s 8 (2018)
, 219

Oldboy
, 8

Older and narrower concept
, 24

The Omen (1976)
, 19

The Orphanage (2007)
, 146

The Others (2001)
, 146

Ottoman Empire
, 153–154, 160

Oxford Dictionary of Film Studies
, 8

Özgüç
, 152

Palma, Brian De
, 87

Palmer, Tim
, 8

Parody
, 102–103

sex and violence
, 111

twink porn
, 106–109

Paranoid woman’s film
, 135, 140

Parodies
, 101–113

The Passion of Joan of Arc (1928)
, 75

The Passion of the Christ (2004)
, 189

Patriarchal control
, 135

Patriarchal power
, 40, 119, 128

Patriarchy
, 169

Phalange’s and Roman Catholic principles
, 39

Phallic weaponry
, 227

Pièce de résistance
, 112

Pizarro, David
, 40

Planet Terror (2007)
, 174

Pleasantville (1998)
, 228

The Pointed Nails of Justice
, 119

Political Islam
, 156

Pollidori, John
, 118

Poltergeist (1982)
, 228

Pornography

horror films vs.
, 113

‘shock’
, 113

Possessions and psychoses
, 176

Postfeminist era
, 67

cannibal
, 67

consumptions
, 69–70

empowerment and choice
, 70

feminism power
, 70–71

gender-based violence and abuse
, 70

gothic conventions
, 70–71

tensions
, 67–68, 70–71, 76–77, 79

Postmodern theory
, 117

abbreviated, artificial characterization
, 118

comparatively narration
, 118

female voice and storytelling
, 119

self-reflexive spectacle
, 118

strategies of disruption
, 117

stylistic features of
, 117

Post-slasher period
, 220

Predator (1987)
, 205–206

Predator 2 (1990)
, 206

Priests
, 159

The Problem with Twinks (2017)
, 106

Pro-Islamist Welfare Party (RP)
, 156

Protective paternalism
, 33

Psycho (1960)
, 87, 94, 178–179

Psychokiller
, 227

Pulido, Javier
, 42

The Purge
, 1

The Purple Rose of Cairo (1985)
, 228

Quandt, James
, 8

Quod erat demonstrandum
, 227

Qur’an
, 154, 156, 160

Radcliffe, Ann
, 133, 135

Age of Enlightenment
, 141

the fantastic-uncanny
, 141

Rambo III (1988)
, 205

Rambo: First Blood Part II (1985)
, 205

Rammer
, 105, 112

Rammer and Bonesaw
, 110

Raw (2017)
, 77–79, 187

Justine
, 77–79, 79

Alex
, 77, 79

Adrien
, 78

Raw I
, 105–106, 108

Raw II
, 105–106, 108

Rebecca (1940)
, 135, 137, 142

Danvers
, 138–139, 142

symptoms
, 140

Winter, de Maxim
, 137, 139–140

The Reproduction of Mothering: Psychoanalysis and Sociology of Gender (1999)
, 17

Resident Evil films
, 205–218

overview of films
, 211

Retribution
, 210, 214–215

The Ring (2002)
, 101

Ringu
, 101

Roman Catholic church
, 39

Romasanta, Manuel Blanco
, 43

Rosemary’s Baby (1968)
, 19

The Ruins (2008)
, 191

Russell, Kurt
, 205

Ruthuven
, 118–119

A Serbian Film (2010)
, 8

Sales, Nancy Jo
, 86

Satan (1975)
, 154

Saturday Night Live cast
, 219

Savella
, 119–120

Saw (2004)
, 176, 191

Saw
, 1, 8, 108, 111

Scared Stiff (2016)
, 105

The Scarlet Letter (1995)
, 188–189

Scary Movie 2 (2001)
, 241

Scherzo Diabolico
, 169, 176–178

Schwarzenegger, Arnold
, 205

Scognamillo, Giovanni
, 155

Scream
, 1, 110, 118, 153

Scream 4 (2011)
, 192

Scream franchise (1996, 1997, 2000, 2011)
, 220

Seagal, Steven
, 205

Second nature
, 195

Secret Beyond the Door (1948)
, 135

Self-reflexivity
, 117–124

Selfveillance
, 85–98

Semum
, 156

Sexting: Gender and Teens
, 86

Şeytan-ı Racim
, 156

Shadow Makers (1989)
, 188

Shail, Rob
, 1

Shelton, Emily
, 105

Sherlock Jr. (1924)
, 228

Siccin
, 156

The Silence of the Lambs (1991)
, 176

Silverman, Kaja
, 25

Sinsiran
, 156

Sitterson, Gary
, 89

Skye, Angel
, 105, 111

Skype
, 88, 91–92

Slasher and ‘torture porn’ cycles
, 101, 103

Sleep, My Love (1948)
, 135–136, 142, 144

Snelson
, 41

Snipes, Wesley
, 205

Social media
, 85

body-shaming
, 87

bullying
, 86, 89, 91–93, 97

media and communication activities
, 85

online harassment
, 85

patriarchal structures and attitudes
, 87

proclivity toward young girls and women
, 86

sexualization and categorization of women
, 86

slut shaming
, 87

zero accountability of
, 86

Social Realities
, 169–185

Sorcerers
, 159

Spaghetti western
, 153

Spanish Civil War
, 39, 50

Spanish horror boom
, 41–42

Spectral femininity
, 141

Spielberg, Steven
, 87

The Spiral Staircase (1946)
, 135

Stallone, Sylvester
, 205

Star Wars sequel
, 219

Stolz, Eric
, 28

Subkoff, Tara
, 94

Subordinate masculinity
, 25

Sudor Frío (2011)
, 169, 176, 180–182

Supernatural
, 133–149

Surelick Holmes
, 103

Surveillance
, 85–98

Tatar
, 144

Tekin, Galip
, 155

The Terminator (1984)
, 205

Terminator 2: Judgement Day (1991)
, 206

Terrible Place
, 2, 227

Territory
, 172

The Texas Chainsaw Massacre (1974)
, 176

There’s a ghost in my house
, 133–149

The Thing (1982)
, 206

This Night I’ll Possess Your Corpse (1967)
, 176

Thomson, David
, 87

Thor (2011)
, 208

301/302 (1995)
, 73–75

flashbacks
, 74

incestuous abuse
, 74–75

Kang
, 73–74

monstrous power
, 74

Tortorici, Zeb, J.
, 107

Toronto International Film Festival’s Midnight Madness screening (2008)
, 15

Torture porn
, 192

Torture Porn: Popular Horror after Saw (2013)
, 192

Totaro, Donato
, 17

Tradition/religion
, 160

Traditional masculinity
, 25

Trouble Every Day (2001)
, 53–58, 60–61, 64

Coré
, 55–58

Léo
, 55

Shane
, 55–58

Tucker and Dale vs Evil (2010)
, 227

Turkish Horror Cinema
, 151–165

abject womb
, 157–159

emergence in 2000s
, 155–157

Haunted
, 157

isolated cases to emergence of horror
, 152–154

male saviours
, 159

masculinity as abjection
, 160–162

monstrous-feminine
, 157–159

rational bystanders
, 159–160

Turkey
, 151–165

cinema
, 151

directors
, 151

Turkish market
, 153

Tusk (2014)
, 103

21 Hump Street (2013)
, 103

Twink
, 105–106

Twinklight (2010)
, 104–105

Types of ghost story
, 135

Under the Shadow (2016)
, 146

Unfriended (2015)
, 88, 91, 97

Barnes, Laura
, 91–92

Blaire
, 91–92, 95

Laura
, 92–93, 95

Mitch
, 92

The Uninvited
, 136–137

Urbanization
, 151

US Department of Health and Human Services
, 85

The Vampire Lovers (1970)
, 128

Vampirism
, 176

The Vampyre
, 118

Van Damme, Jean-Claude
, 205

Variety magazine
, 195

Verbinski, Gore
, 101

Victims
, 227

Video Essay
, 219–235

The body
, 225–227

end
, 233–234

The Final Girl
, 225

film theory
, 220–233

The Killer
, 223

shock
, 224

Slasher Horror
, 220–233

Terrible Place
, 224

The Victims
, 223

Weapons
, 223–224

Visual Pleasure and Narrative Cinema
, 18

Vyong, Ocean
, 95

The Walking Dead (2010)
, 7

The Washington Post
, 86

Watkins, Chrissie
, 87

Webbing
, 106

The Werewolf Hunt
, 44

The Werewolf Versus the Vampire Woman aka La noche de Walpurgis (1970)
, 41

What Lies Beneath (2000)
, 133–149

Claire
, 133–134, 137–138, 140, 142–143, 145–147

Frank, Madison
, 137, 140, 142–147

Hitchcockian
, 142

MacGuffin-nod
, 142

Norman
, 137, 143

Warren
, 142

Williams, Linda
, 7, 19, 57, 103

Witching and Bitching (2013)
, 47

The Woman (2011)
, 75–77

Belle
, 76–77

Chris
, 75–77

Peggy
, 75

Wood, Robin
, 57

The Walking Dead (2010–present)
, 192

The Washington Post
, 188

Waldman, Diane
, 139

Westernization/modernization
, 160

White Science
, 159

Willis, Bruce
, 205

Witchcraft
, 176

Wolf Creek (2005)
, 189

Women and the Gothic
, 135

Women’s films
, 152

Working class culture
, 151

Xenomorph creatures
, 206

Yeşilçam era
, 151

Yeşilçam
, 151

comedy
, 151

historical epics
, 151

horror
, 151

melodrama
, 151

science fiction
, 151

Yik Yak app
, 86

Young, Iris Marion
, 72

Zlosnik, Sue
, 72

Prelims
Introduction
Part I Bodies
Chapter 1 ‘It’s So Easy to Create a Victim’: Subverting Gender Stereotypes in the New French Extremity
Chapter 2 Elegiac Masculinity in Bubba Ho-Tep and Late Phases
Chapter 3 Game of Werewolves: XXI Century Spanish Werewolves and the Conflict of Masculinity
Chapter 4 Navigating the Mind/body Divide: The Female Cannibal in French Films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001)
Chapter 5 Gendering the Cannibal in the Postfeminist Era
Part II Boundaries
Chapter 6 #Selfveillance: Horror’s Slut Shaming through Social Media, Sur- and Selfveillance
Chapter 7 Gay Porn (Horror) Parodies
Chapter 8 ‘In Celebration of Her Wickedness?’: Critical Intertextuality and the Female Vampire in Byzantium
Chapter 9 ‘There’s a Ghost in My House’: The Female Gothic and the Supernatural in What Lies Beneath (2000)
Chapter 10 The Monstrous-feminine and Masculinity as Abjection in Turkish Horror Cinema: An Analysis of Haunted (Musallat, Alper Mestçi, 2007)
Part III Captivity
Chapter 11 Gender Ideologies, Social Realities and New Technologies in Recent Latin American ‘Abduction’ Horror
Chapter 12 Misogyny or Commentary? Gendered Violence Outside and Inside Captivity
Chapter 13 “My Name Is Alice. And I Remember Everything.” Project Alice and Milla Jovovich in the Resident Evil Films
Chapter 14 The Final Girls (2015) as a Video Essay: A Metalinguistic Play with Genre and Gender Conventions
Chapter 15 Dissecting Depictions of Black Masculinity in Get Out
Index